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hi y'all


If you've stumbled your way onto this page, I am assuming that you are a loving family member, a supportive friend, or maybe a future creative collaborator. Regardless of your journey to this moment, I am honored that you chose to share a few minutes of your time to read about who I am.


To know me is to know more than my accolades, my training, or that I have a collegiate-worthy tendu. To know me is to know my love of community, my passion for sharing home-cooked meals and good wine with friends, and my zealous inclination to say yes to all things...or rather, my struggle to say no to fun things.


I love people and relish in the ability to learn something new from someone else. I am deeply interested in work that is a reflection of the world we live in--representative of the unique perspectives that make life interesting, flavorful and spicy. The spice is important. Born and raised in South Louisiana, I am an avid fan of spice. 

But all spices need a balance in flavor.  Too much of one ingredient overpowers a meal, and no one wants to eat something that's boring and one-noted. Much like a well-balanced Cajun meal, I enjoy creating and consuming art in a full array--a rotating menu of visual, physical, audible, and immersive dishes that leave you feeling inspired and nourished.

An interdisciplinary movement artist based in Los Angeles, Natalie Allen is particularly interested in collaborative art that reflects the visual, physical, audible, and immersive nuances of the modern world. 


Working in both the concert and commercial dance sectors, Natalie’s recent credits include: The NorthFace, Banks, “Holey Moley,” and the new film Renfield starring Nicolas Cage and choreographed by Kat Burns. Specializing in immersive entertainment, Natalie contributed to Tyra Banks’ “Modelland” and Netflix/Secret Cinema’s “Stranger Things Drive-Into Experience.” Natalie served as Secret Cinema’s Assistant Director on “Arcane” which premiered in November 2021. Natalie had the privilege of performing at Jacob's Pillow for the Ann and Westin Hicks Choreography Fellowship and Dance Gallery Festival as a dancer for Gianna Burright. Most recently, Natalie served as the Associate Choreographer for Oregon Shakespeare Festival's adaptation of Macbeth alongside Jon Rua.


Natalie has trained with LA Contemporary Dance Company, VIM VIGOR, BODYTRAFFIC, New Dialect, and San Francisco Conservatory of Dance, among others. She holds a BFA in Dance and BA in Communications with a Minor in French Art & Culture from the University of Arizona.

Natalie is certified in Classical and Contemporary Mat Pilates and currently teaches personal and group fitness at Pvolve in Los Angeles.

Okay cool, but we want the accolades and training...

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